Sunday, 12 November 2017

Who Needs to See Anyways?: Unconventional Eyewear

I am here today to present to you my brand new pair of eye protective gear the Sunblocker 5000! This was a test to design some unconventional eye-wear which is not necessarily built to be readily wearable.  It took a lot of thinking and then I doodled something and this idea just came out from it. 

Purpose: To protect your eyes from any and all possible light.  

It has many pieces that jut out from around the eyes, they will be made from non-reflective matte, dark materials to protect the eye from any possible light coming from above or bouncing up from the cheeks.  The main covering of the eye will be opaque and matte.  It will rest on the nose and the ears for a nice firm covering.  The decorative sun flares double as protection against people trying to steal your glasses.




My Sketches
Most of my other concepts were created with all different ideas.  The teeth eyes, and drill ones meant to emphasize pain and represent migraines.  Most of them were created focusing on the idea of extending the shape and making unusual eye covers in some form.  I leaned towards the migraine concept at first until the very last sketch posted here was drawn.  




The right concept was the one that finally started the "sunglasses that essentially just cover your whole face and blind you" concept.  I've been very ill all week so a compromised mental state probably helped in it's creation as well. 

Sunday, 29 October 2017

Reversed Engineered Object: Selection and Process

Time to dissect a real life object and remake it in Rhino!! In this project I will be remaking an object that has parts that can be removed and put back together! For this the measurements will need to be incredibly accurate!

It took me some time to select an object that I could fully dissect.  I decided to go with this hacksaw that my dad had in the garage because the curves on it will be challenging but interesting!


 







I did some basic measuring to lay down the groundwork! I will come back to add more details once I come to it.  




The blade itself has been the easiest part of this whole procedure.



The curves of the rest of the saw have been rather difficult to execute successfully.  I managed to resize individual scans I took of the objects to get an accurate underlay I could use as a reference.  I am still fixing them up but laying down the accurate measurements before rounding off corners and smaller details I'm finding is key.

I found setting it up to be the most difficult part, things did not want to line up, for awhile curves did not match with their proper measurements so I had to completely redo the lines I had made a few times.  Might seem a little silly but I found scanning them the best way to get a flat side image of the objects.  My hands were rather shaky otherwise with the camera and kept getting the wrong angles.






Monday, 2 October 2017

Object Vinyl Design



Here is a concept that I am pretty happy with, I tried to really push my concepts beyond a smiple concept and combined the sort of scary/monster themes with the silliness of the intestines of the noodles for a potential shirt design.  I've tried to incorporate the straight lines and curves of Rhino.  I do hope it can be this big but if not I can definitely modify it.






Other doodles

I sketched some concepts otherwise, someone suggested added a little monster face and different ideas but also making life out of various objects. They were cute but didn't entirely fit with the autobiographical




 





Monday, 25 September 2017

Vinyl Tattoo Concepts

I am designing a two tone design to be cut out of vinyl that are tattoo reminiscent in nature in that they need to have personal meaning.  I had many more sketches that I scrapped mid drawings so these are the ones that I ended up with and from these I chose ten to do a vinyl-esq cleaned up sketch.

The Ten I Went With:


1. Teeth


I have always loved dragon different teeth designs for monster and creatures, but I have received a fair amount of compliments over the years for how I illustrate them.  They have become a bit of a proud point in my artworks and I've even had people tell me they've learned how to draw better teeth from mine.  It's been a huge ego booster that way and one thing that I am really proud of.  I have since taken extra care to study and properly draw it.  It's one thing that people say they associate me with.


2. Misty Skull

The misty skull combines many things that I love.  I love mystery, and I love skeletons, and monsters as well.  The inspiration came from a resin cat skull I own sitting off to the side in a similar position to this skull and I decided to kind of flesh it out with a more sinister tone to it.



3. Cat


My cat giving me snuggles when drawing made this happen.  This may seem pretty straightforward but I genuinely adore cats.  My cat has helped me through so much and they are honestly my favourite animals.  I will never not have a cat.  I've become so used to having one that I can't live without one now.  I also greatly relate to cats in many ways, I like sleep, I like food and I like spending time around people, but also being independent.


4. Eldritch Monster






The inspiration for drawing this particular character came from a chat with a friend where they mentioned her, and I figured, since she's a fairly recently made character, she represents my current aesthetic preferences fairly well.  This character is a design of monster that I have grown fond of, she initially started as a doodle and I have since grown attached to her.  I've drawn her many times since then.  She's an example of the characters I love to create and one big reason of why I am going to art school in the first place.  Art is everything to me and creating characters is one of my favourite things about art.  I would be very much amiss without it.


5. Bat

The inspiration for the bat was my one friend from high-school who likes bats a lot.  The bat for me kinda symbolizes rekindling old friendships and getting closer, because in high-school we were friends but not super close, but after high-school we reconnected and he's one of my closest friends now.  It's... a hopeful animal for me.  I see it and feel a certain optimism about the future.

6. Clawed Hands


I was looking at my own hand when this idea came to mind.  Claws are like teeth but are what I used to be more well known for.  People sometimes would ask me how to draw them and for advice, I still get asked and I'm working on drawing them accurately, along with hands.  So combining hands and claws seemed like a solid choice.  Along with that, the fusion of more animal and human elements is autobiographical in that I love combining and messing with anatomy in a potentially plausible fashion.


7. Pumpkin Patch Monster



This one is more of a fun one, as mentioned before I love dragon/monsters, and I was born in October so this combination happened.  I find that it works along well with the associations we make, such as seeing shapes in clouds, I love finding the shapes in the world around me and making creations from those shapes.  


8. Noodles


So the inspiration for these came from a mixture of talking about mac and cheese, my favourite food, and a running joke with my family that got passed on to other friends.  It started from an episode of Brooklyn 99 where a guy calls blueberries: Blewbs.   And then our family began shortening other stuff eventually turning to noodles and changing it to: Noodz.  And then I joked with my one friend about showing hot noodz and before I could get a response, sent them the sketch of macaroni noodles. Now it is a running joke among some chat servers I am a part of.  As for how it represents me?  Well... it shows how stupid my humour is sometimes.


9. Monster Face


I was inspired by a spider and sort of explored from there!  The squares paired with the regular elements of a monster is intended to show the importance of mixing the rigid rules with a certain fluidity.  The best monsters are ones that play with what goes together while still relying on the physical to make it feel alive.  

10. Broken Dragon



This was fun to play with more complex shapes and trying to make it work with two tones.  It was inspired by a character I created almost 5 years ago but I decided to take it further and play with a more armoured, ghostly look.  I have lately taken to playing with less natural shapes and am excited to learn more down this avenue representing for me, the learning I still have to do.

Sunday, 17 September 2017

A Castle A Day Keeps the Dragon at Bay

I've had a lot of fun creating this castle! I've looked up various other castle designs and have tried my hand at creating my own unique castle... with a dragon of course you cannot have one without the other.  It has been a bit since I have last used Rhino so this was a really helpful way to jump back in and remember all of the tools.

I frequently used Boolean Difference, Split, and at the very end I added it all together with Boolean Union.  I primarily used square shapes but I also made a rounded top for some windows and doors. For the dragon I created each part on the ground with the line tool and drew each part, than rotated it to the appropriate angles before joining them all.  

It all went pretty smoothly all in all!  I found great success in reusing pre-existing shapes to add more detail and save time doing it as well as adding more depth to windows and doorways to make it look more detailed.  














Unconventional Eye wear Rhino: not yet satisfied

  So building up this eye-wear was very challenging but I also learned a great deal about Rhino through it!  With so many points it was eas...